Is it hard to write a script
4 reasons why your plan to become a screenwriter is not working out
Many people dream of writing a book or script at some point in their lives. While some people quickly give up on this plan, a considerable number of them try their luck at some point. In addition to the small percentage that make it, the number of those who fail is very high. But what is that exactly? In this article, we would like to show you four reasons that one stumbles over again and again when the plan to become a screenwriter does not work out.
One of the main reasons for failure as a screenwriter is certainly a naive view of the industry. This can usually be done by a lack of prior knowledge be explained. While it would probably not occur to a layperson to assemble a car himself, the widespread opinion of outsiders, especially when writing books and scripts, is that anyone can do it.
How hard can it be to write a script?
The irony is that training to be a car mechanic as well as a screenwriter usually takes 3 years to complete. But since we already spend a large part of our school time writing at a young age in the form of essays and homework, this is it I believe anyone can write, unfortunately quite widespread. Anyone who approaches his first script with this attitude will sooner or later notice that there is a lot more to it than opening a text file and tapping on it. Failure is inevitable at the latest when this realization sets in.
So approach the matter realistically and start your scriptwriting training just as you would any other training.
As we have just mentioned, training to become a screenwriter takes a lot of time. At universities you usually study scriptwriting for at least 3 years. Of course, you can also acquire all the skills yourself. For example, through a lot of reading or online courses. Our free newsletter crash course can also be an ideal start. Still these are no shortcuts.
Learning the craft takes a lot of time.
Especially when learning on your own is Discipline is an elementary building block. After all, your performance is not evaluated continuously, as for example during your studies, but only at the end of your journey, when you dare to go public. You won't become a screenwriter in passing. You have a lot of hard work ahead of you and it takes discipline.
If you are a nice person, this is of course a very pleasant quality for those around you, and you are sure to be a welcome guest at all parties. For your career as a screenwriter, however, this is a downright fatal quality. Every good film draws its tension strong conflicts. The more there is at stake for the main character, the more the audience will cheer. However, so that your main character at the end of the film can be the celebrated hero who, against all odds, saved the princess after all, you have to do this many put a spoke in wheel.
As a screenwriter, you sometimes have to be one too outright villain could be.
Of course, as the character develops, you will become more and more attached to your hero. You would love to spare him and give him everything he would like to have. Unfortunately, such a film would be the most boring thing you could write. To make it difficult for your beloved characters and sometimes even to have to really see them on the ground is extremely difficult. Still it is inevitable. Unfortunately, it has been proven time and again that people who are too nice produce scripts that are too boring.
Even if all of the above points do not apply to you, your myopia can still thwart your plans at the end of the way. In many places on this website we have already explained to you that as a screenwriter you write primarily for television. The number of films made in Germany to which this does not apply is devastatingly small. Even with theatrical films, a television broadcaster is often involved in the financing, which later receives the German first broadcast.
The television program is subject to fixed rules.
If you would like to write a dramatic zombie love film, then of course nothing stands in the way of you. Nevertheless, we can promise you that it will be a mammoth task to find someone who would like to make this film. Screenplays are not like normal books. While small editions can also be published for books from the area of special interest, a cinema or television film costs always a lot of money.
Keep your audience in mind.
It is therefore all the more important that you allow far-sighted thoughts to flow into the planning of your material. If there is no market for your script, it will not be made into a film. We are of course not talking about the low-budget sector here. Of course, you can always find what you are looking for there when it comes to implementation. In “Low-Budget”, however, you get the answer to the question of whether you can make a living from it directly with the delivery.
Basically, failure doesn't have to be a bad thing. Even the best screenwriters sometimes produce stories in the course of their careers for which no buyer can be found. However, so that your plan to become a screenwriter has a realistic chance, you should at least avoid these 4 listed stumbling blocks.
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